Issue 4
Maurice Millar writes for art-scot for the first time on his specialist subject, creating an annotated overview of John Maclauchlan Milne's pictures. Douglas Erskine has turned his focus to Jack Knox, and offers a range of new perspectives. Jane Adamson tracks down Douglas Strachan's striking glass work in Forfar; whilst Roger Spence has spent time at Dundee's McManus Gallery with WQ Orchardson's 'The Lyric'.
We hope you enjoy art-scot Issue 4
Douglas Erskine continues his series on twentieth century Scottish masters with an authoritative and insightful look at the painting of Jack Knox - and he considers self indulgence too!
John Maclauchlan Milne painted in the same places and same style as the established Colourists, but remains an outsider. Maurice Millar surveys his work.
The work of William Quiller Orchardson seems very much rooted in conservative and social mores of upper class Victorians, until you look at it more closely. Roger Spence looks at one of his pictures: 'The Lyric'
Douglas Strachan produced three extraordinary glass artworks in Forfar before and during World War One. Jane Adamson has been to see them.